Breaking’s Identity Crisis: Art, Sport, and the Fight for Authenticity

Authors

  • Kyaw Zin Thant Nanyang Technological University Singapore Author

Abstract

Beneath the towering skyline of Singapore, obscured from the bustling city, lies the Esplanade underpass—its bright lights accentuating the glossy sheen of smooth taupe walls and marbled floors, where subtle cracks bear the marks left by the thriving underground breaking community. As I descend the escalator, my attention is seized by a breaker frenetically rotating against the worn-out floor, his movements perfectly in sync with the deep hip-hop bass. With his arms tucked and legs slicing through the air in a tight orbit, he accelerates wildly yet with care and finesse. In a fit of spontaneity, he defies gravity, thrusting himself into the air while still rotating, gliding effortlessly from hand to hand.

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Author Biography

  • Kyaw Zin Thant, Nanyang Technological University Singapore

    Kyaw Zin Thant is a Singapore-based breaker and a Year 1 undergraduate pursuing Sport Science and Management at the National Institute of Education, Nanyang Technological University (NTU) Singapore. Having returned to the competitive breaking scene after recovering from an ACL injury, Zin explores how the culture of breaking is shifting amid rising competition and commercialization.

References

Abrams, J. (2023, October 10). Breakers grapple with hip-hop's big Olympic moment. The New York Times. https://www.nytimes.com/2023/10/10/arts/dance/olympics-breakingdance.html

Ehantharajah, V. (2021, March 31). 'It's subjective and it's art': How Olympic inclusion highlighted breakdancing's cultural divide. The Independent.

https://www.independent.co.uk/sport/olympics/breakdancing-inclusion-paris-2024b1824494.html

Additional Files

Published

2025-08-28

How to Cite

Breaking’s Identity Crisis: Art, Sport, and the Fight for Authenticity. (2025). Simbolismo: Signs, Identities, Meanings, 1(1), 12-16. https://simbolismo.org/index.php/ssim/article/view/16